东方舞~常遇见的音乐节奏

D  tk   tk    D D  T   8/4

静舞香瑜~东方舞节奏chifteli来自静舞香瑜00:0003:11

This Turkish rhythm is marked by a distinctive rest on the final beat, which gives the rhythm a very soft and relaxed feel. It is often used as the underlying rhythm for taqsim segments of songs, allowing the other musicians to solo freely over the softly flowing Chiftitelli rhythm. In terms of dancing, such fluid moves as snake arms work well, and when the drummer and dancer both freeze for that final eighth beat, the effect is electrifying.

译文如下：

Chiftitelli:

这个土耳其的节奏是由最后一个独特的间歇音为标志的,这个间歇音使此节奏给人非常柔软和清爽的感觉。在taqsim段歌曲中它常被用作基本的节奏,让其他音乐家自由独奏流动的Chiftitelli温柔韵律。根据舞蹈动作,流动的动作就像蛇形手臂动作。当鼓手和舞者都在最后8个音停止时,效果很震撼。

Odd rhythms – 9/8, 6/7, 10/8 etc  奇数拍节奏

The rhythms outlined above are the most common Middle Eastern rhythms, but certainly not the only ones. Although you don’t hear them too often, every dancer should try her hand at one of the odd-numbered rhythms.

Because we are so used to 4-beat rhythms (almost every pop song is 4/4), and because 2 and 8 beat rhythms are simple multiples of 4, we tend to believe that 4 is somehow natural. That’s why dancing to a beat that is not 2, 4, or 8 is difficult at first, but then feels so very rewarding once mastered.

Some of the wonderful odd-beat Middle Eastern rhythms include the 9/8 Turkish Karsilama and 6/7 Laz rhythms 9-beat and 7-beat rhythms respectively, and the spectacular 10/8 10-beat Samai rhythm from Egypt.

译文如下：

9/8, 6/7, 10/8 等奇数拍节奏

上面提到的节奏是最常见的中东节奏,但绝非绝对的选择。虽然你不常听到,但每个舞蹈演员应该尝试在奇数节奏中跳舞。

由于我们是如此习惯于四拍节奏 (几乎所有流行歌曲是4 / 4),又因为2和8节奏是4拍的简单罗列,我们倾向于4拍是自然的。这就是为什么跳舞的拍子不是2、4、8，首先是难的,但后来觉得一旦掌握了就会感到有收获。

一些奇数的拍子中东节奏分别包括9/8土耳其Karsilama和6/7 Laz节奏， 9-beat节奏、7-beat节奏。10/810-beat的Samai节奏来自埃及。